{"id":2902,"date":"2024-04-23T20:04:53","date_gmt":"2024-04-23T20:04:53","guid":{"rendered":"https:\/\/www2.unifap.br\/teatro\/?page_id=2902"},"modified":"2024-10-30T20:46:41","modified_gmt":"2024-10-30T20:46:41","slug":"planos-de-ensino-curriculo-2014","status":"publish","type":"page","link":"http:\/\/www2.unifap.br\/teatro\/planos-de-ensino\/planos-de-ensino-curriculo-2014\/","title":{"rendered":"Planos de Ensino – Curr\u00edculo 2014"},"content":{"rendered":"

Explore os planos de ensino do curr\u00edculo 2014 por semestre de oferta. Clique nos nomes dos componentes curriculares para acessar!<\/strong><\/span><\/h4>\n
\n

1\u00ba SEMESTRE<\/strong><\/span><\/h3>\n
\n

TEA0101 – ESPA\u00c7O, CORPO E MOVIMENTO (90h)<\/a><\/span><\/strong><\/p>\n

TEA0102 – FUNDAMENTOS DA LINGUAGEM TEATRAL (60h)<\/a><\/span><\/strong><\/p>\n

TEA0103 – HIST\u00d3RIA DO TEATRO (60h)<\/strong><\/a><\/span><\/p>\n

TEA0106 – LITERATURA DRAM\u00c1TICA (90h)<\/strong><\/a><\/span><\/p>\n

TEA0104 – LEITURA E PRODU\u00c7\u00c3O DE TEXTO – LPT (60h)<\/strong><\/a><\/span><\/p>\n

TEA0105 – PR\u00c1TICA PEDAG\u00d3GICA I<\/strong><\/a><\/span><\/p>\n

\n

2\u00ba SEMESTRE<\/strong><\/span><\/h3>\n
\n

TEA0111 – CENAS CONTEMPOR\u00c2NEAS E CULTURA VISUAL (60h)<\/strong><\/a><\/span><\/p>\n

TEA0108 – EST\u00c9TICA TEATRAL (60h)<\/strong><\/a><\/span><\/p>\n

TEA0109 – HIST\u00d3RIA DO TEATRO NO BRASIL (60h)<\/strong><\/a><\/span><\/p>\n

TEA0107 – INTERPRETA\u00c7\u00c3O TEATRAL I (90h)<\/strong><\/span><\/a><\/p>\n

TEA0110 – PR\u00c1TICA PEDAG\u00d3GICA II (60h)<\/strong><\/a><\/span><\/p>\n

\n

3\u00ba SEMESTRE<\/strong><\/span><\/h3>\n
\n

TEA0114 – ARTES C\u00caNICAS NO AMAP\u00c1 (60h)<\/strong><\/a><\/span><\/p>\n

TEA0113 – FUNDAMENTOS DA PESQUISA EM ARTE (60h)<\/strong><\/a><\/span><\/p>\n

TEA0112 – INTERPRETA\u00c7\u00c3O TEATRAL II (90h)<\/strong><\/a><\/span><\/p>\n

TEA0117 – IMAGEM E M\u00cdDIA (60h)<\/strong><\/a><\/span><\/p>\n

TEA0115 – PR\u00c1TICA PEDAG\u00d3GICA III (60h)<\/strong><\/a><\/span><\/p>\n

TEA0116 – PSICOLOGIA DO DESENVOLVIMENTO E DA APRENDIZAGEM (90h)<\/strong><\/a><\/span><\/p>\n

\n

4\u00ba SEMESTRE<\/strong><\/span><\/h3>\n
\n

ED03312 – DID\u00c1TICA GERAL (60h)<\/strong><\/a><\/span><\/p>\n

TEA0118 – EXPRESS\u00c3O CORPORAL (90h)<\/strong><\/a><\/span><\/p>\n

TEA0119 – EST\u00c1GIO SUPERVISIONADO I (60h)<\/strong><\/a><\/span><\/p>\n

TEA0120 – PR\u00c1TICA PEDAG\u00d3GICA IV (60h)<\/strong><\/a><\/span><\/p>\n

TEA0122 – TEATRO DE FORMAS ANIMADAS (90h)<\/strong><\/a><\/span><\/p>\n

TEA0121 – VISUALIDADES CENOGR\u00c1FICAS (90h)<\/strong><\/a><\/span><\/p>\n

\n

5\u00ba SEMESTRE<\/strong><\/span><\/h3>\n
\n

TEA0126 – DIRE\u00c7\u00c3O TEATRAL (90h)<\/strong><\/a><\/span><\/p>\n

TEA0124 – EST\u00c1GIO SUPERVISIONADO II (75h)<\/strong><\/a><\/span><\/p>\n

TEA0123 – IMPROVISA\u00c7\u00c3O TEATRAL (90h)<\/strong><\/a><\/span><\/p>\n

DEPL0158 – POL\u00cdTICA E LEGISLA\u00c7\u00c3O EDUCACIONAL BRASILEIRA – POLEB (75h)<\/strong><\/a><\/span><\/p>\n

TEA0125 – PR\u00c1TICA PEDAG\u00d3GICA V (60h)<\/strong><\/a><\/span><\/p>\n

TEA0127 – VOZ E DIC\u00c7\u00c3O (60h)<\/strong><\/a><\/span><\/p>\n

\n

6\u00ba SEMESTRE<\/strong><\/span><\/h3>\n
\n

TEA0129 – EST\u00c1GIO SUPERVISIONADO III (90h)<\/strong><\/a><\/span><\/p>\n

TEA0131 – PESQUISA EM ARTES C\u00caNICAS (60h)<\/strong><\/a><\/span><\/p>\n

TEA0130 – PR\u00c1TICA PEDAG\u00d3GICA VI (60h)<\/strong><\/a><\/span><\/p>\n

TEA0128 – TEATRO DE RUA E PERFORMANCE (90h)<\/strong><\/a><\/span><\/p>\n

TEA0132 – T\u00c9CNICAS TEATRAIS (90h)<\/strong><\/a><\/span><\/p>\n

\n

7\u00ba SEMESTRE<\/strong><\/span><\/h3>\n
\n

TEA0134 – EST\u00c1GIO SUPERVISIONADO IV (90h)<\/strong><\/a><\/span><\/p>\n

DEPL0151 – L\u00cdNGUA BRASILEIRA DE SINAIS – LIBRAS (60h)<\/strong><\/a><\/span><\/p>\n

TEA0133 – PR\u00c1TICA DE MONTAGEM I (90h)<\/strong><\/a><\/span><\/p>\n

TEA0135 – PR\u00c1TICA PEDAG\u00d3GICA VII (60h)<\/strong><\/a><\/span><\/p>\n

TEA0136 – TRABALHO DE CONCLUS\u00c3O DE CURSO I – TCC I (30h)<\/span><\/strong><\/a><\/p>\n

\n

8\u00ba SEMESTRE<\/strong><\/span><\/h3>\n
\n

TEA0140 – DAN\u00c7AS BRASILEIRAS (60h)<\/strong><\/a><\/span><\/p>\n

TEA0137 – EST\u00c1GIO SUPERVISIONADO V (90h)<\/strong><\/a><\/span><\/p>\n

TEA0138 – PR\u00c1TICA DE MONTAGEM II (90h)<\/strong><\/a><\/span><\/p>\n

TEA0139 – TRABALHO DE CONLUS\u00c3O DE CURSO II – TCC II (30h)<\/strong><\/a><\/span><\/p>\n

\n

COMPONENTES CURRICULARES OPTATIVOS<\/strong><\/span><\/h3>\n
\n

LA0640 – COMUNICA\u00c7\u00c3O E PROCESSOS MUSEOL\u00d3GICOS (60h)<\/span><\/a><\/strong><\/p>\n

TEA0146 – COMUNICA\u00c7\u00c3O E TEATRO (60h)<\/a><\/span><\/strong><\/p>\n

TEA0144 – CR\u00cdTICA TEATRAL (60h)<\/a><\/span><\/strong><\/p>\n

TEA0142 – FUNDAMENTOS DA ENCENA\u00c7\u00c3O (60h)<\/a><\/span><\/strong><\/p>\n

TEA0145 – HIST\u00d3RIA CULTURAL DA AMAZ\u00d4NIA (60h)<\/a><\/span><\/strong><\/p>\n

LA0153 – LITERATURA INFANTO-JUVENIL (60h)<\/a><\/span><\/strong><\/p>\n

TEA0141 – TEATRO DE M\u00c1SCARAS (60h)<\/a><\/span><\/strong><\/p>\n

TEA0143 – T\u00c9CNICAS DA DAN\u00c7A (60h)<\/a><\/span><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Explore os planos de ensino do curr\u00edculo 2014 por semestre de oferta. Clique nos nomes dos componentes curriculares para acessar! 1\u00ba SEMESTRE TEA0101 – ESPA\u00c7O, CORPO E MOVIMENTO (90h) TEA0102 – FUNDAMENTOS DA LINGUAGEM TEATRAL (60h) TEA0103 – HIST\u00d3RIA DO TEATRO (60h) TEA0106 – LITERATURA DRAM\u00c1TICA (90h) TEA0104 – LEITURA E PRODU\u00c7\u00c3O DE TEXTO –…<\/p>\n","protected":false},"author":421,"featured_media":0,"parent":3026,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-2902","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www2.unifap.br\/teatro\/wp-json\/wp\/v2\/pages\/2902","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www2.unifap.br\/teatro\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www2.unifap.br\/teatro\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www2.unifap.br\/teatro\/wp-json\/wp\/v2\/users\/421"}],"replies":[{"embeddable":true,"href":"http:\/\/www2.unifap.br\/teatro\/wp-json\/wp\/v2\/comments?post=2902"}],"version-history":[{"count":66,"href":"http:\/\/www2.unifap.br\/teatro\/wp-json\/wp\/v2\/pages\/2902\/revisions"}],"predecessor-version":[{"id":3580,"href":"http:\/\/www2.unifap.br\/teatro\/wp-json\/wp\/v2\/pages\/2902\/revisions\/3580"}],"up":[{"embeddable":true,"href":"http:\/\/www2.unifap.br\/teatro\/wp-json\/wp\/v2\/pages\/3026"}],"wp:attachment":[{"href":"http:\/\/www2.unifap.br\/teatro\/wp-json\/wp\/v2\/media?parent=2902"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}